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US / THEM Group

Evil Triplet (Heavy psych by Austin punk pioneer ex-Terminal Mind) stream album via Brooklyn Vegan  


"Evil Triplet have the psychedelic factor turned up to 11. You might just have an out of body trip through whatever space-time wormhole they were spawned from." -- Cvlt Nation

"Evil Triplet's laissez-faire, anything can happen attitude works really well. There's no pretense or chest thumping, just an enjoyable fuzzed out ride." -- The Sludgelord

"The band's power space rock punches all the right buttons: distortion, winding melodies, propulsive rhythms, astronautical lyrics, whooshing electronics - even the occasional Middle Eastern lift." -- Austin Chronicle


Austin trio Evil Triplet are streaming their entire forthcoming sophomore album Have A Nice Trip ahead of release today via Brooklyn Vegan. Hear and share Have A Nice Trip HERE. (Direct Soundcloud.)

PopMatters recently shared "Space Kitten" HERE. And, Ghost Cult Magazine hosted the rocker "Pyramid Eye" HERE. 

Evil Triplet is a heavy psych trio from Austin, TX. The space rock behemoth is comprised of Steve Marsh (guitar and vocals), Kirk Laktas (drums), and Joe Volpi (bass).

Marsh traces back to Terminal Mind, a seminal band in the Austin punk scene of the late 70s that spawned The Big Boys and The Dicks (Super Secret offshoot Sonic Surgery Records will be reissuing Terminal Mind's original recorded output, plus unreleased studio and live tracks, later in 2017). He then led Miracle Room, a psychedelic industrial hoedown that shared stages with Snakefinger, Butthole Surfers, Scratch Acid, Negativland, and Sonny Sharrock, among others, and morphed into Wisdom Tooth, which released a CD on Knitting Factory's imprint.

Kirk is the keyboard wizard in post-rock bands My Education and Cinders, and was an early member of Stars Of The Lid. He has worked sessions with Acid Mothers Temple, Shearwater, Pauline Oliveros and ST37.

Mr Volpi toured and recorded with Primordial Undermind, as well as lending his chops to countless other Austin bands, including The Flood and Reverend Glasseye. He also performs a dark acoustic song cycle solo as Kaiser Soze, and plays standup bass in Cinders.

While not a double LP this time, Trip was also recorded at Sonic Ranch Studios in West Texas, produced by Rob Halverson and Steve Marsh, engineered by Charles Godfrey, mixed at Halversonics Recording in Austin, and mastered by Bob Weston at Chicago Mastering Service.

The songs on this album continue in the lysergic direction of the previous record, dealing with a world view that is decidedly psychedelic, while simultaneously growing in terms of song craft and also somehow gaining a more aggressive, explosive edge. The topics explored in the songs veer occasionally toward the interpersonal, albeit from a quizzical perspective ("Space Kitten", "Aren't You Experienced?") or a tortured one ("Open Heart", "Apparition"). "A Day Like Any Other" is surely about a day that was anything but ordinary, and "Pyramid Eye" takes on the disturbing image at the core of the Great Seal of the United States.

Once again, the group has attempted to use the studio to its full potential, adding mellotron, keyboards and swirling synths and electronics. While the overall trend is punchier, there are still the blissful space-outs. They even manage to use the time tested approach of turning the 24 track tape over and recording guitars backwards against the existing rhythm tracks, a la Hendrix.

Even the cover art is a trip, with the front cover deriving from a photo Marsh took of a paint drip in the corner of Rob Halverson's studio. The image was reminiscent of a falling human, which led to the album title.

Have A Nice Trip will be distributed by Revolver USA, available in 180g vinyl and CD at record stores or by mail order from Super Secret Records, and in digital formats on July 20th, 2018.


Artist: Evil Triplet
Album: Have A Nice Trip
Label: Super Secret Records
Release date: July 20th, 2018

01) Space Kitten
02) A Day Like Any Other
03) Aren't You Experienced?
04) Open Heart
05) Pyramid Eye
06) Apparition

On The Web:
facebook.com/eviltriplet
supersecretrecords.com



07/18/2018

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Minimalist songwriter Victor Lovlorne streams album before release, dark songs using just voice and analog synthesizer 


Self Sabotage Records proudly presents the self-titled debut of Austin, TX minimalist songwriter Victor Lovlorne, sharing the full album stream today ahead of release via Soundcloud, and hosted by GhettoBlaster Magazine and New Noise Magazine. 

Victor Lovlorne is fascinated by the beauty that can be found in the dark: the slow speed of night, the long silences between sounds, the heightened loneliness, the sense of loss, the fear of unforeseen terrors that reminds us of the blood-and-flesh animals we are. To Lovlorne, all the modernity we've built turns into a sparse repetitive landscape in the dark, and we return to being the beasts we've always been since humans existed, calling out for love as animals do, singing simple songs of inevitable despair.

With just his voice and a Korg Volca Keys, the self-titled album is the essence of minimalist dark wave: bleak yet warm & romantic. Recorded at Mexico City's Estudio 13 and mixed in Austin TX, the album includes a duet, "Sangre," with Marcela Viejo (formerly part of iconic Mexico indie rock band Quiero Club), who also contributes backing vocals throughout the album.

FFO/RIYL: Leonard Cohen; Alex Cameron; Arca; Moonface; Timber Timbre; Grouper; Jenny Hval

Victor Lovlorne: vocals, analog sequencer
Marcela Viejo: vocals

Recorded at Estudio 13 (Mexico City, Mexico).
Mixed by Chico Jones at MicroMega Studio (Austin TX).
Mastered by Greg Obis at Chicago Mastering Service (Chicago IL).
album art by Conor Q. Walker

photography by JXN ART (Jackson Montgomery Schwartz)


Artist: Victor Lovlorne
Album: Victor Lovlorne
Record Label: Self Sabotage Records
Release Date: July 20, 2018

01. A Cloud of You And Me
02. What's Left of You
03. Your Shadow
04. Sangre
05. Don't
06. Hideous Monster
07. Sound From the Throat
08. The Smell of Our Graves
09. Shining












On the Web:
victorlovlorne.com
https://www.facebook.com/lovlorne
www.supersecretrecords.com

07/18/2018

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Electric Citizen share new track from forthcoming album Helltown via The Obelisk 

"Going from one riff-filled masterpiece to the next, Electric Citizen go well beyond anything that they accomplished with 2014's Sateen. The band is coming into their own, and they know it." -- Metal Injection

"I like the fact that, four years and three records into their tenure as a band, I have no idea what to expect from them next. Other than songwriting. Helltown very much seems to be marking a new level for Electric Citizen, and they emerge stronger than ever and at their most vital." -- The Obelisk

"With songs this good, they deserve to blow up." -- Consequence of Sound


Electric Citizen share a new track from their forthcoming third album Helltown (RidingEasy Records) today via The Obelisk. Hear and share "Lunch" HERE. (Direct YouTube.)

Metal Injection recently hosted lead single "Hide It In The Night" HERE. (Direct YouTube.)

The band also recently announced North American tour dates supporting heavy psych favorites Monster Magnet this Fall. Please see complete dates below. 

Helltown, the forthcoming third album by Electric Citizen is, in many ways, a homecoming. 

While the title may seem fittingly metal (if not exceedingly so), it actually has real relevance. Helltown (all one word), while also multidimensional, is named after the Cincinnati, OH neighborhood in which the band lives, practices, and where the album was written, recorded and mixed. Now known more prosaically as Northside, Helltown earned its name in the 1800s due to its reputation for rowdy taverns frequented by the neighborhood of factory workers and immigrants. 

Inasmuch as Helltown is an ode to the band's home and its buried past, it also represents a return to the grittier sound of their 2014 debut, Sateen. Furthermore, it marks the return of original bassist Nick Vogelpohl, who rejoins vocalist Laura Dolan, guitarist Ross Dolan and drummer Nate Wagner. It's a fun, tough, dirty rock n' roll album. 

"In many ways this album is a realignment to the first," Laura says. "We experimented a lot on the second album, some of which we learned we didn't like." Electric Citizen's 2016 album Higher Time was an expansive and somewhat cleaner effort mixed by Black Keys engineer Collin Dupuis at Easy Eye in Nashville, TN. It was a landmark moment for the band earning considerable press praise - Consequence of Sound named it in the 20 Most Anticipated Albums of 2016 with "the most breakout potential of all the young bands on this list." And, the band's endless touring since the first album earned them stints opening for acts like Pentagram, The Crazy World of Arthur Brown, Fu Manchu, Budos Band, Wolfmother and playing renowned festivals like Psycho Las Vegas, Psycho California and Desert Fest Belgium.

What sets Electric Citizen apart from contemporary heavy counterparts is their song writing. The band writes concise, 3-minute, heavy rock songs. While others might now be following suit, when they started, most bands of their ilk were content writing drawn-out slow doom dirges. Regardless, none can deliver quite like Electric Citizen: Laura's captivating star-power, Ross' perfect tone and riffs, Nate's pugilistic and swinging beats, glued together by Nick's gliding bass lines. 

"Heart Attack" opens the album with a furious galloping rhythm, crunching guitar with a monolithic scooped midrange tone and Laura's signature wail, double-tracked to create a haunting effect. From the first 10 seconds, you'll be headbanging ferociously, ecstatic to have Electric Citizen back, and back to basics. "Ripper" is exactly that, a shredding 3-minute ripper, "The Pawn" boasts subtle pop hooks deftly tucked into a bashing tune. "New Earth" shows why the band continues to garner high praise for Laura's dramatic vocals and the band's skill at penning bonafide songs, rather than just a collection of riffs. 

Helltown will be available on LP, CD and download on September 28th, 2018 via RidingEasy Records. Pre-orders are available HERE. 


ELECTRIC CITIZEN // MONSTER MAGNET TOUR 2018:
09/28  Toronto, ON @ Lee's Place
09/29  Mt. Clemens, MI @ Emerald Theatre 
10/02  Chicago, IL @ Bottom Lounge 
10/03  Minneapolis, MN @ Cabooze
10/05  Denver, CO @ Bluebird Theater
10/06  Salt Lake City, UT @ Urban Lounge
10/08  Portland, OR @ Hawthorne Theater
10/09  Vancouver, BC @ Commodore Ballroom
10/10  Seattle, WA @ El Corazon
10/12  San Francisco, CA @ Thee Parkside
10/15  Santa Ana, CA @ The Observatory
10/16  San Diego, CA @ Brick By Brick
10/17  Phoenix, AZ @ Rebel Lounge
10/19  San Antonio, TX @ Paper Tiger
10/20  Dallas, TX @ Canton Hall
10/21  Houston, TX @ White Oak Music Hall
10/23  Atlanta, GA @ The Masquerade
10/24  Nashville, TN @ Basement East
10/26  Baltimore, MD @ Baltimore Soundstage
10/27  New York, NY @ Gramercy Theatre
10/28  Cambridge, MA @ The Sinclair



Artist: Electric Citizen
Album: Helltown
Label: RidingEasy Records
Release Date: September 28th, 2018

01. Heart Attack
02. Hide It In The Night
03. Cold Blooded Blue
04. Father Time
05. Ripper
06. The Pawn
07. New Earth
08. Lunch
09. Mother’s Little Reject











On The Web:
www.electriccitizenband.com
www.facebook.com/ElectricCitizen
electriccitizenband.bandcamp.com
twitter.com/electriccitizN

07/17/2018

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KING WHO share new single "Crying Shame" produced by The Thermals' Hutch Harris 


"Inspired by dream pop and post-punk outfits from the '80s, such as Echo and the Bunnymen and The Church, mixed with a modern sensibility a la Deerhunter's more ethereal moments." -- TrebleZine

"Michael Young's vocals for King Who are breathtaking. As rich as Rufus Wainwright, his tone soars over beautiful, classic synth melodies. This five piece produce an incredibly dynamic tease of clean emotive pop. I defy you to not be blown away."-- The Deli Magazine

"Think the sweetest, catchiest elements of the early Strokes slowed down to West Coast tempos, crashing waves of percussion, keyboards and guitar lines that shimmer like the late summer sun." -- PopMatters


Portland, OR quintet King Who share a new track from their forthcoming sophomore album Giant Eye today via TrebleZine (US) HERE and Spill Magazine (Canada) HERE (Canada). Hear and share "Crying Shame" at these sites or directly via Soundcloud. 

PopMatters recently hosted the fittingly summery first single "Ice Cream" HERE. (Direct Soundcloud.)

King Who refines its sound on a dreamy sophomore release, Giant Eye, both rounding edges and expanding landscapes. New wave, post-punk, and dream pop rhythms seep through this bass heavy record. The vaguely dystopian lyrics and toe-tapping bite swim in echoing waves, wallowing in the reverb currents. The intoxicating 8-song album is packed with beautiful, soaring melodies and powerful rhythm-forward tunes, driven by the silky and emotive vocals of frontman Michael Young. 

Giant Eye was produced by Hutch Harris of The Thermals and recorded by Victor Nash at Destination: Universe! King Who joined the growing SELF Group label roster in 2016, releasing their debut Us Lights on LP and download in March of that year (full album stream).

Giant Eye will be available on 180-gram LP and download on August 17th, 2018 via SELF Group.

KING WHO LIVE:
08/25 Portland, OR @ Doug Fir Lounge (Album release show)




Artist: King Who
Album: Giant Eye
Label: Self Group
Release Date: August 17th, 2018

01. Learn To Swim
02. Cryin' Shame
03. Ice Cream
04. Kill Me
05. Giant Eye
06. Money
07. New Balloons
08. On and On


On The Web:
kingwhoband.com
selfgroup.org/king-who
facebook.com/kingwhoband



07/13/2018

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Evil Triplet (Heavy psych by Austin punk pioneer ex-Terminal Mind) share first track from new album  


"Evil Triplet have the psychedelic factor turned up to 11. You might just have an out of body trip through whatever space-time wormhole they were spawned from." -- Cvlt Nation

"Evil Triplet's laissez-faire, anything can happen attitude works really well. There's no pretense or chest thumping, just an enjoyable fuzzed out ride." -- The Sludgelord

"The band's power space rock punches all the right buttons: distortion, winding melodies, propulsive rhythms, astronautical lyrics, whooshing electronics - even the occasional Middle Eastern lift." -- Austin Chronicle


Austin trio Evil Triplet share the first track from their forthcoming sophomore album Have A Nice Trip on Super Secret Records today via PopMatters. Hear and share "Space Kitten" HERE. (Direct Soundcloud.)

Evil Triplet is a heavy psych trio from Austin, TX. The space rock behemoth is comprised of Steve Marsh (guitar and vocals), Kirk Laktas (drums), and Joe Volpi (bass).

Marsh traces back to Terminal Mind, a seminal band in the Austin punk scene of the late 70s that spawned The Big Boys and The Dicks (Super Secret offshoot Sonic Surgery Records will be reissuing Terminal Mind's original recorded output, plus unreleased studio and live tracks, later in 2017). He then led Miracle Room, a psychedelic industrial hoedown that shared stages with Snakefinger, Butthole Surfers, Scratch Acid, Negativland, and Sonny Sharrock, among others, and morphed into Wisdom Tooth, which released a CD on Knitting Factory's imprint.

Kirk is the keyboard wizard in post-rock bands My Education and Cinders, and was an early member of Stars Of The Lid. He has worked sessions with Acid Mothers Temple, Shearwater, Pauline Oliveros and ST37.

Mr Volpi toured and recorded with Primordial Undermind, as well as lending his chops to countless other Austin bands, including The Flood and Reverend Glasseye. He also performs a dark acoustic song cycle solo as Kaiser Soze, and plays standup bass in Cinders.

While not a double LP this time, Trip was also recorded at Sonic Ranch Studios in West Texas, produced by Rob Halverson and Steve Marsh, engineered by Charles Godfrey, mixed at Halversonics Recording in Austin, and mastered by Bob Weston at Chicago Mastering Service.

The songs on this album continue in the lysergic direction of the previous record, dealing with a world view that is decidedly psychedelic, while simultaneously growing in terms of song craft and also somehow gaining a more aggressive, explosive edge. The topics explored in the songs veer occasionally toward the interpersonal, albeit from a quizzical perspective ("Space Kitten", "Aren't You Experienced?") or a tortured one ("Open Heart", "Apparition"). "A Day Like Any Other" is surely about a day that was anything but ordinary, and "Pyramid Eye" takes on the disturbing image at the core of the Great Seal of the United States.

Once again, the group has attempted to use the studio to its full potential, adding mellotron, keyboards and swirling synths and electronics. While the overall trend is punchier, there are still the blissful space-outs. They even manage to use the time tested approach of turning the 24 track tape over and recording guitars backwards against the existing rhythm tracks, a la Hendrix.

Even the cover art is a trip, with the front cover deriving from a photo Marsh took of a paint drip in the corner of Rob Halverson's studio. The image was reminiscent of a falling human, which led to the album title.


Have A Nice Trip will be distributed by Revolver USA, available in 180g vinyl and CD at record stores or by mail order from Super Secret Records, and in digital formats on July 20th, 2018.


Artist: Evil Triplet
Album: Have A Nice Trip
Label: Super Secret Records
Release date: July 20th, 2018

01) Space Kitten
02) A Day Like Any Other
03) Aren't You Experienced?
04) Open Heart
05) Pyramid Eye
06) Apparition

On The Web:
facebook.com/eviltriplet
supersecretrecords.com



07/13/2018

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BlackWater HolyLight share first video from RidingEasy debut, announce headlining tour dates  


"Flat out it’s one of the best heavy psych debut albums you’ll hear in 2018." -- The Obelisk

"This quartet has been burning up stages all around their hometown, fueled by their abrasive blend of doom metal, psych rock, goth and a tangy soupçon of pop music... They landed a spot on the 2018 Best New Band poll in alt-weekly Willamette Week, but could quickly take over the world." -- Paste Magazine

"They mesh elements of doom, Krautrock and atmospheric indie into one bewitching rock whole." --Classic Rock Magazine


Portland, OR quartet BlackWater HolyLight share the first video from their breakout debut album today. Watch and share "Wave of Conscience" via YouTube. 

BlackWater HolyLight also announce West Coast tour dates starting August 3rd. Please see current dates below. 

Their self-titled RidingEasy Records debut has received unanimous press praise and continues to grow. Brooklyn Vegan recently streamed the entire album HERE. (Direct YouTube.)

The notion of "heavy music" is continuing to expand of late, with many intrepid artists finding new ways to incorporate the power of traditional metal into new music, but without all of its trappings. Enter Portland, OR quartet BlackWater HolyLight to further swirl musical elements into a captivating hybrid of emotional intensity. Heavy psych riffs, gothic drama, folk-rock vibes, garage-sludge and soaring melodies all collide into a satisfying whole with as much contrast as the band's name itself. 

"I wanted to experiment with my own version of what felt 'heavy' both sonically and emotionally," says founder and vocalist/bassist Allison (Sunny) Faris. "I also wanted a band in which vulnerability of any form could be celebrated." BlackWater HolyLight -- Faris, guitarist/vocalist Laura Hopkins, drummer Cat Hoch and synth player Sarah Mckenna -- formed upon the breakup of Faris' longtime band and she sought a fresh start. "In my last band I was the only female in a group of 6, so I wanted to see how my song writing and vulnerability could glow taking the drivers seat and working with women."

The band's self-titled debut begins with a simple, almost grunge-like riff as a chorus of voices introduce a melodic line in call-and-response until the band kicks in, slowly building into crescendo like a lost outtake from Led Zeppelin's Houses of the Holy. Elsewhere, "Sunrise" begins with a chorus-drenched post-punk groove until a sonic boom of heavily distorted guitar skree erupts out of nowhere. Nearly as suddenly, the song returns to its lulling core, subtly building the tension until it ruptures completely in a blast of noise. Likewise, "Carry Her" establishes a dark, sparse melody and distinctly thin sounding drums not far removed from early work of The Cure. However, BlackWater HolyLight's penchant for surprise attack finds a sudden shift into a doom-like dirge, colored with eerie synth notes and pounding shards of fuzz. Throughout the album, their songs shirk traditional verse-chorus-verse structure in favor of fluid, serpentine compositions that move with commanding grace. The band expertly, yet subconsciously, incorporates hints of Chelsea Wolfe, Celebration, Captain Beefheart, The Raincoats, The Stooges, Pink Floyd, Jane's Addiction and more to form their unique brand of dark'n'heavy transcendence..

BlackWater HolyLight was recorded by Cameron Spies at Gold Brick Studios and The Greenhouse, and with Eric Crespo at Touch Tourcher Recording in Portland. The album is available on LP, CD and download, released April 6th, 2018 via RidingEasy Records on LP & CD at www.ridingeasyrecs.com and digital at blackwaterholylight.bandcamp.com.


BLACKWATER HOLYLIGHT LIVE:
08/03 Nevada City, CA @ Cooper’s
08/04 Oakland, CA @ Elbo Jack London 
08/07 Las Vegas, NV @ Bunkhouse
08/08 Los Angeles, CA @ Zebulon w/ Zig Zags
08/09 Oceanside, CA @ Pourhouse w/ Red Wizard
08/10 Fresno, CA @ Full Circle
08/11 Arcata, CA @ Alibi


Artist: BlackWater HolyLight
Album: BlackWater HolyLight
Label: RidingEasy Records
Release Date: April 6th, 2018

01. Willow
02. Wave of Conscience
03. Babies
04. Paranoia
05. Sunrise
06. Slow Hole
07. Carry Her
08. Jizz Witch













On The Web:
ridingeasyrecs.com
instagram.com/blackwaterholylight


07/11/2018

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Austin melodic noiserock trio Exhalants share track via Revolver Magazine, musicianship & melody meet brutal power  

"Somewhere between Unsane, Jesus Lizard and Dazzling Killmen sits Exhalants, a new Austin group comprised of members of Carl Sagan's Skate Shoes and Body Pressure. Following in the steps of the legendary Cherubs, Exhalants make caustic noise rock with melodic inflection." -- Revolver Magazine


Austin, TX trio Exhalants sure the first track from their forthcoming debut album today via Revolver Magazine. Hear and share "Latex" HERE. (Direct Soundcloud.)

After the ending of his Carl Sagan's Skate Shoes, Exhalants guitarist/vocalist Steve (the band prefers to be on a first-name only basis with you) further honed his already wide guitar vocabulary in the downtime. He soon recruited fellow CSSS alum Bill on bass and Tommy, the drummer in Body Pressure (known for his high-energy, hard-hitting precision) to form the power trio before you now. 

Their self-titled debut album, heavy & melodic, acknowledges their influences like Shellac,
Unwound and Cherubs while extrapolating and building on those legacies into their own along with likeminded peers like Melkbelly, Kal Marks and A Dear A Horse. 

Recorded & mixed by Ian Rundell (Ghetto Ghouls) in Austin TX and mastered by Greg Obis (Yeesh) at Chicago Mastering Service, Exhalants is a refreshing return to dynamic complexity in a field obsessed with monolithic pummeling.

Exhalants will be available on LP and download on August 24th, 2018 out via Self Sabotage Records (Pre-order at Big Cartel-Self Sabotage).

EXHALANTS LIVE:
07/09 Austin, TX @ Beerland w/ Drunks With Guns, USA/Mexico
09/15 Austin, TX @ Beerland  - Austin Jukebox #12 w/ Body/Head, The Austerity Program


Artist: Exhalants
Album: Exhalants
Record Label: Self Sabotage Records
Release Date: August 24th, 2018

01. Latex
02. Cauterized
03. Ego Death
04. Public Display of Failure
05. False (St)art
06. If Only
07. Bow Yr Head
08. Unshut
09. Punishers
10. And I’ll Take You To A Quiet Place

On the Web:
facebook.com/exhalants
exhalants.bandcamp.com
www.supersecretrecords.com



07/09/2018

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Dunbarrow share first track from hauntingly classic new album on RidingEasy Records via The Obelisk 

"Proto-doom at its best! Fuzz pedals are absent and the guitars are driven by a warm tube amp drive." -- More Fuzz

"I really can't rave enough about how great this album is."-- Doomed and Stoned

"The Trondheim-based outfit are in the process of carving out their own niche aesthetically, and they're doing so with the sharpest of teeth." -- The Obelisk


Norwegian quintet Dunbarrow share the first track from their forthcoming sophomore album on RidingEasy Records today via The Obelisk. Hear and share "The Wolf" HERE. (Direct YouTube.)

There's a hauntingly classic feel to Dunbarrow's sound that gives it, in the band's own words, "an eerie rawness." It's not raw in a lo-fi or distorted sense -- far from it, the production is exceptionally clean and powerful. It's the vibe to the music that has a dreamlike and ghostly quality, like a mysterious recording imprinted onto an old cassette tape. 

Dunbarrow's pristine, unadorned sound shares the unpretentious brilliance of classic heavy progenitors jamming in basements and barns, before the big budgets and bloated habits diluted hard rock records into an echo chamber awash in reverb and layered in distant, screeching hobbits. "It's a heavy sounding record without being just tons of over-distorted guitar tracks," says guitarist Kenneth Lønning. "We've never been fascinated by that, and we're trying to push in the other direction." Its heft comes from the band's use of space in their songs. 

Without the Haugesund, Norway quintet's exceptional musicianship, such an intimate sound would be impossible. Drummer Pål Gunnar Dale sets the skeletal core with driving urgency and tastefully punctuating triplet fills, Bassist Sondre Berge Engedal slinks throughout with the limber bounce of John Paul Jones, while Lønning's and Eirik Øvregård's guitars weave dark, bluesy tapestries with emphasis on melodic chord structures without burying them in distortion or other effects. Vocalist Espen Andersen ties it all together with his warm, folky delivery that gives it all the feel of a bygone era of storytelling in song. 

"Maybe more than the previous record, this one is more vocal driven," Lønning says. "But it still has those quirky transitions, eerie build ups, folk-inspired parts and the haunting solos." Many of the album's poetic lyrics were written by former bassist/vocalist Richard Chappell, whose writing personifies the group. Along with the album's running theme of love and despair, is that of recognizing one's own dark sides and developing your shadows into something you can control, inspired of the work by Carl Jung.

Key to the band's impressive sound is that the singer is also the recording and mixing engineer. Andersen also recorded the band's excellent 2016 debut (formally released wordlwide by RidingEasy in late 2017), now with more studio experience for both Andersen and the band, Dunbarrow II is a truly refined experience. To further perfect their sound, the group teamed up with one of the most prominent producers in Norway, Christer Cederberg (Anathema, Tristania) for the first few days in order to get the sound just right. Then, Espen did the rest. The result is as eponymous and definitive as its title. 

Dunbarrow II will be available on LP, CD and download on September 14th, 2018 via RidingEasy Records. Pre-orders are available HERE. 



Artist: Dunbarrow
Album: Dunbarrow II
Label: RidingEasy Records
Release Date: September 14th, 2018

01. On Your Trail
02. Please Let Me Be
03. Weary Lady
04. Ode To The Moon
05. Feberdrøm
06. The Wolf
07. The Demon Within
08. Witches Of The Woods Pt. II
09. On This Night

On The Web:
Facebook.com/Dunbarrow
Instagram.com/Dunbarrow
ridingeasyrecs.com



07/02/2018

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    Dunbarrow share first track from hauntingly classic new album on RidingEasy Records via The Obelisk

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KING WHO share perfect summer dreampop song "Ice Cream" produced by The Thermals' Hutch Harris 

"Inspired by dream pop and post-punk outfits from the '80s, such as Echo and the Bunnymen and The Church, mixed with a modern sensibility a la Deerhunter's more ethereal moments." -- TrebleZine

"Michael Young's vocals for King Who are breathtaking. As rich as Rufus Wainwright, his tone soars over beautiful, classic synth melodies. This five piece produce an incredibly dynamic tease of clean emotive pop. I defy you to not be blown away."-- The Deli Magazine

"Think the sweetest, catchiest elements of the early Strokes slowed down to West Coast tempos, crashing waves of percussion, keyboards and guitar lines that shimmer like the late summer sun." -- PopMatters


Portland, OR quintet King Who share the first track from their forthcoming sophomore album Giant Eye today via PopMatters. Hear and share the fittingly summery tune "Ice Cream" HERE. (Direct Soundcloud.)

King Who refines its sound on a dreamy sophomore release, Giant Eye, both rounding edges and expanding landscapes. New wave, post-punk, and dream pop rhythms seep through this bass heavy record. The vaguely dystopian lyrics and toe-tapping bite swim in echoing waves, wallowing in the reverb currents. The intoxicating 8-song album is packed with beautiful, soaring melodies and powerful rhythm-forward tunes, driven by the silky and emotive vocals of frontman Michael Young. 

Giant Eye was produced by Hutch Harris of The Thermals and recorded by Victor Nash at Destination: Universe! King Who joined the growing SELF Group label roster in 2016, releasing their debut Us Lights on LP and download in March of that year (full album stream).

Giant Eye will be available on 180-gram LP and download on August 17th, 2018 via SELF Group.

KING WHO LIVE:
08/25 Portland, OR @ Doug Fir Lounge (Album release show)



Artist: King Who
Album: Giant Eye
Label: Self Group
Release Date: August 17th, 2018

01. Learn To Swim
02. Cryin' Shame
03. Ice Cream
04. Kill Me
05. Giant Eye
06. Money
07. New Balloons
08. On and On


On The Web:
kingwhoband.com
selfgroup.org/king-who
facebook.com/kingwhoband



06/28/2018

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    KING WHO share perfect summer dreampop song "Ice Cream" produced by The Thermals' Hutch Harris

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SKELETON stream blistering metalpunk EP via CvltNation, mbrs of Nosferatu, Residual Kid, Recide  



"A battering ram of a d-beat track that hides melody within muscular riffing, making for an excellent and repeatable track. Discharge is clearly the primary jumping off point, but so is Anti-Cimex, early crust influences and, over all, misanthropy." -- Revolver

"Every second of this motherfucker ROCKS HARD!!! On the real, this band’s songs are raging, catchy d-beat fuelled rock ‘n roll anthems that have me head banging nonstop!" -- CvltNation


Austin, TX trio Skeleton are streaming their forthcoming 5-song EP ahead of release starting today via CvltNation. Hear and share the Pyramid of Skull EP HERE. (Direct Soundcloud.)

Revolver Magazine recently shared lead track, "War" HERE.

Skeleton features members of other celebrated Austin punk bands Nosferatu, Residual Kid, The Real Cost, Recide, Enemy One, Plax, and Witewash. 

The band hits the road in July, including a spot on the Olympia Hardcore Fest. Please see current dates below. 

Skeleton was formed in 2014 by Victor Ziolkowski and David Ziolkowski in Austin, TX. Having had evolved from many different line ups and variations of the band, it's now performing with Victor on drums and vocals, David on guitar, and Alex Recide on bass.

The band was originally influenced by the punk scene in Austin of the last 8 years, bands like Recide, Iron Youth, and Total Abuse also paired with industrial/noise vibes of Throbbing Gristle. They have always stayed on the more evil or dark end of the spectrum and incorporate dramatic live performances and stage set designs. The band's more recent sound derives from riff-heavy bands like Kyuss, Dystopia, and Bolt Thrower with the atmosphere of early 90's black metal. 

Skeleton has released 2 previous flexi disc EPs on labels Super Secret Records, I Hate I Skate, and Breathing Problem Productions. This is the band's first 7 inch release, and solidifies the punk sound of the group as they move toward the upcoming LP, which will be fully metal. The 7 inch was all written and performed by Victor Ziolkowski (on drums, bass, guitar and vocals) and David Ziolkowski (on lead guitar, and bass) Recorded in Austin by Orville Neeley (OBN III's, A Giant Dog, Bad Sports) and Mastered by Seth Gibbs.

The 4-song EP will be available on 7" and download on June 29, 2018 out via Super Secret Records. Available for pre-order HERE.

SKELETON TOUR 2018:
07/25 - Houston, TX @ White Swan +
07/26 - Austin, TX @ The Electric Church +
07/27 - Fort Worth, TX @ Ridglea Theater +
07/28 - OKC, OK @ 89th Street Collective +
07/29 - Springfield, MO @ Outland
07/30 - Denver, CO @ 7th Circle +
07/31 - Salt Lake City, UT @ The Beehive +
08/01 - Nampa, ID @ Savage Baking +
08/02 - Portland, OR @ High Water Mark +
08/03 - Seattle, WA @ TBA +
08/04 - 05 - Olympia, WA @ Olympia Hardcore Fest +
08/07 - Santa Rosa, CA @ Atlas Coffee Co.
08/09 - San Jose, CA @ TBA
08/10 - Los Angeles, CA @ TBA
08/11 - Fullerton, CA @ TBA
08/12 - Phoenix, AZ @ TBA
08/13 - El Paso, TX @ Apartment 512

+ with Skourge


Artist: Skeleton
Album: 2018 EP
Record Label: Super Secret Records
Release Date: June 29th, 2018

1. War
2. Dystroy
3. Burning Flame
4. Killing / Locked Up

On the Web:
instagram.com/IHATEISKATE
facebook.com/Skeleton
skeletonatx.bandcamp.com
www.supersecretrecords.com

06/26/2018

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    SKELETON stream blistering metalpunk EP via CvltNation, mbrs of Nosferatu, Residual Kid, Recide

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